Let the puppets dance: Till Lindemann’s circus show is making a guest appearance in Berlin
According to Chad Stahelski, Henry Cavill’s Highlander will make a good series!
“Achtung Berlin” film festival: Love and other diversities
Berlin State Opera: Last round for artistic director Matthias Schulz
Books and things: An exhibition about the pleasure of owning
Struggle for Visibility: Photography in the Holocaust
Traffic culture: pedestrians ahead!
Book about pop and politics: Germany, Germany, everything was over
The Sisi boom continues: The Riot Girl from Habsburg
Staatsballett Berlin: New director Christian Spuck presents his program
Tomer Dotan-Dreyfus and his novel “Birobidzhan”: In the Siberian whisper
Simon Rattle conducts Mahler’s Ninth: Towards the Final Frontier
Reunion with the proletariat: Axel Honneth calls for a new politics of work
ARD TV film “Wolfswinkel”: When social media divides
New album by Tristan Brusch: When love falls apart
Museum Island project worth billions: Dates and figures are smoke and mirrors
CDU and SPD in post poker: Who follows Berlin’s Senator for Culture Klaus Lederer?
Ukrainian War Diary (121): Search for a new language
Kang the Conqueror doesn’t have the same trajectory as Thanos
RBB personal details: Oliver Jarasch works cross-media, Christoph Augenstein continues to complain
Katharine Mehrling at the Komische Oper: Life, scratched
Due to extensive renovations: Pergamon Museum will remain closed for another four years – the entire museum will not open until 2037
Hitchcock thriller “The Birds”: timelessly modern for 60 years
Berlin Literature Festival: Who regulates what now?
Creative Brandenburg: Singer-songwriters wanted
Tayfun Guttstadt and his album “Tarâpzâde”: When poetry and trap meet
Award-winning graphic novel from Brazil: With love and art against the maelstrom of violence
House of World Cultures: Poster campaign asks about the state of the world
Christina Quarles in the Hamburger Bahnhof: The memory of the muscles
Time change: progress and lag
